Costume Jewelry Collectors Int’l
is pleased to host
Researching Costume Jewelry
originally published by Dotty Stringfield on IllusionJewels.com
Jewelry History – Jewelry Research – Jewelry Marks – Jewelry Signatures – Jewelry Articles – Jewelry Galleries
RCJ – COSTUME JEWELRY MARKS GUIDE
Researching Costume Jewelry (RCJ) is a collaboration of hundreds of costume jewelry collectors and dealers who have shared – and continue to share – their knowledge, photos, written articles, and jewelry catalogs along with assisting in other ways. Special acknowledgments go to Dotty Stringfield who created RCJ in 1997 with the help of jewelry historian Pat Seal. This information was moved to Costume Jewelry Collectors Int’l (CJCI) in 2019 to honor the legacy of RCJ and preserve this valued resource for jewelry researchers. Thanks to our CJCI Education Fund supporters for making that possible.
*DISCLAIMER: As in the past, we make every effort to ensure all information contained in the RCJ pages is accurate. However, errors can occur. Neither the prior owner of RCJ, CJCI or its representatives are responsible for your use of these resources. Written permission by CJCI is needed to use any information obtained from RCJ in any other publication whether written or electronic.
In memory of Dotty Stringfield and Pat Seal.
Help CJCI keep this information online free of charge by making a donation to our Education Fund via PayPal. Please click below to make your donation.
Articles & Designers
Adele Simpson Jewelry |
Jewels by Bogoff |
HAR Jewelry |
Harry Iskin Jewelry History |
Hedy and Hedison Jewelry History |
Jewelry Memories of William Gallant by Dotty Stringfield |
Knoll and Pregizer Jewelry |
McClelland Barclay Jewelry Signatures |
Miriam Haskell Jewelry History |
Three Neapolitan Princes and the Legacy of Pennino |
Czechoslovakian Saphiret Glass |
Selro Unmasked |
Les Bernard Jewelry |
Lisner Jewelry |
For The Love Of Lisner |
Louis Rousselet Jewelry History |
Vintage Lapel Watches |
“Decorated Like A Christmas Tree” |
“Simple War Styles In Costume Jewelry” |
Vintage Ads, Galleries & Patents
Vintage Catalogs & Brochures
Bling & Things by Susan Klein Bagdade
Kafin, Cameos, Intaglios, KJL Fakes, Costume Jewelry Collectors International or CJCI |
Mid-Century, Schiffer, Yank, Johnson, Mexican Silver |
Novelty Handbags |
BIBLIOGRAPHY
A TRIBUTE TO AMERICA by Carla and Roberto Brunialti
AMERICAN COSTUME JEWELRY by Carla and Roberto Brunialti
AMERICAN COSTUME JEWELRY Art & Industry, 1935-1950 A-M by Carla & Roberto Brunialti
AMERICAN COSTUME JEWELRY Art & Industry, 1935-1950 N-Zby Carla & Roberto Brunialti
JEWELRY MANUFACTURERS by Dorothy T. Rainwater
BOBYE SYVERSON: research files.
CLASSIC AMERICAN COSTUME JEWELRY by Jacqueline Rehmann
COLLECTIBLE COSTUME JEWELRY by Cherri Simonds
COLLECTING COSTUME JEWELRY 101 By Julia Carroll
COLLECTING COSTUME JEWELRY 202 By Julia Carroll
COLLECTING RHINESTONE COLORED JEWELRY by Maryanne Dolan
COPPER ART JEWELRY by Burkholz and Kaplan
COSTUME JEWELRY A PRACTICAL HANDBOOK AND GUIDE by Fred Rezazadeh
COSTUME JEWELRY (2nd Ed.) by Harrice Simons Miller
DOTTY STRINGFIELD: research files
EUROPEAN DESIGNER JEWELRY by Ginger Moro
INSIDE THE JEWELRY BOX By Ann Pitman
LUCILLE TEMPESTA: owner-publisher of Vintage Fashion & Costume Jewelry Magazine
MASTERPIECES OF COSTUME JEWELRY by Ball and Torem
MID-CENTURY PLASTIC JEWELRY By Susan Klein
MIRIAM HASKELL JEWELRY by Cathy Gordon and Sheila Pamfiloff
OLD JEWELRY by Jeanenne Bell
PAT SEAL: research files
WARMAN’S JEWELRY 2nd Ed. by Christie Romero
WARMAN’S JEWELRY 3rd Ed. by Christie Romero
1922 TradeMarks of Jewelry & Kindred Trades
1934 Keystone Jewelry Trade Mark Book
*DISCLAIMER: As in the past, we make every effort to ensure all information contained in the RCJ pages is accurate. However, errors can occur. Neither the prior owner of RCJ, CJCI or its representatives are responsible for your use of these resources.
Researching Costume Jewelry — Home
Copyright 1997 to present — www.costumejewelrycollectors.com — All Rights Reserved.
All RCJ publications and pages were created
by Dotty Stringfield with the assistance of research contributor Pat Seal
and other valued members of the costume jewelry collecting community.